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Transformation in The Capitol

Submerge your features in the projected radiance of OMOTE- a brand new way to transform your aesthetic in an instant. Prismatic and bold, this technological breakthrough could change the world of body modification as we know it. For more information, head on over to Capitol TV for the full article and more.



Mass-production can be difficult to steer clear of in our modern-day world- and truly, in many instances it is a phenomenon to be embraced and celebrated. In the case of burgeoning designer Noa Raviv (who engineers in District 3 have been clamoring to get their hands on), however, mass-production is the antithesis of her most recent collection. A marriage of 2D textiles and 3D printed objects, Raviv’s Hard Copy collaborative collection was brought to life in collusion with Stratasys—a manufacturer of cutting-edge 3D printing devices and software. Hard Copy challenges the current conceptions of 3D printing and mass production and instead focuses on the value contained in singular, unique works of art.

“When the model walks, it creates a game between 2D and 3D,” Raviv states at her graduate fashion show. She goes on to state that a visual point of interest in the collection’s compositions is the viewers’ uncertainty on whether what they are seeing has two dimensions or three. Indeed, the clever patterning of both the 3D printed pieces and the textile structures underneath make this a difficult separation to decipher.

Arguably the most intriguing aspect of Raviv’s designs is her conceptual process, choosing to work with imperfect images and distorted grid designs instead of structurally sound templates. By beginning with these flawed blueprints, Raviv adds another dimension of innate singularity to her creations.

Capitol Couture salutes Noa Raviv and Stratasys for their collaborative efforts and their continuing commitment to the united vision of One Panem. 


Mary Katrantzou / Swarovski

Mary Katrantzou has a significant history of collaboration under her belt.  Known as the “queen of prints”, Katrantzou has leant her design and striking patterns to capsule collections with luxury leather company Longchamp, the hip British Topshop, the iconic outerwear pillar Moncler, and the ballet-chic Repetto, among others. Her longest and most prolific collaboration (meticulously crafted in the artisan workshops of District 1) is with The Swarovski Collective, spanning over 7 seasons of rainbow runways.

To create these collections of kaleidoscopic color, Katrantzou “uses Swarovski crystals to give the garments heightened texture, working together to push the boundaries of surface and textile design.” Between Katrantzou’s exquisite eye for patterns and Swarovski’s dazzling gems, this pair creates elaborate clothing confections tailor-made for the streets of the Capitol.  

Capitol Couture salutes both Mary Katrantzou and Swarovski for their time-honored dedication to the united vision of One Panem.


Farewell for the Season

Capitol Couture wraps up a revolutionary year of events. 

As our year comes to a close, those of us still in the offices here at Capitol Couture find ourselves feeling the nostalgia of the season- looking back on the incredible happenings we’ve brought to you only makes us want to relive them.  We’ve compiled our favorite events of the year all here in one place, to show exactly what this year has meant to the Capitol and all of Panem.  

Our first glimpse of District 12’s star-crossed lovers since the 74th Games signaled an eager nation that a captivating Victory Tour was in store for us all.  Twelve days later, we saw our young victors arrive at their final fete in style beyond compare, beaming as adopted children of the Capitol.  Emotions across Panem ran wild as Effie Trinket reached into her empty glass bowls at the Quarter Quell reaping, and this time, Peeta Mellark uttered the fateful words, “I volunteer.”  He and Katniss Everdeen struck imposing silhouettes together in the tribute parade, smoldering in yet another of Cinna’s revolutionary creations.  We entered a new training center with our victor tributes, marveling at its gleaming walls and modern design, and soon after again witnessed Cinna’s incomparable fashion talent in Katniss’ transforming mockingjay gown on Caesar Flickerman’s interview stage.  Our hearts skipped a beat at the stunning arena courtesy of Plutarch Heavensbee and the Gamemakers, and again at the divine viewing parties held all through the Capitol.  

We are delighted to have had you with us through this life-altering series of events, dear readers, and wish you a most fashion-forward and Oh So Capitol New Year.   

If you’ve missed any of this years events — relive them all here!


Top Fashion of the Year

The notes have been tallied; see this years top Capitol Looks. 

It’s been an incredible year for fashion in the Capitol.  We’ve seen everything from plastic headdresses to tribal-infused futuristic footwear come across our desks, and we’ve picked only the finest examples of ingenuity, glamour, and Capitol spirit to bring to our illustrious pages.  Here, we have collected the most popular looks of the year as judged by you, our dedicated readers, through likes and reblogs.  From  top left clockwise, here are your top picks.

Maiko Takeda’s fantastical plastic porcupine headdresses title our recap, giving the illusion of an aura of defense.  Anouk Wipprecht’s spider dress follows the theme, a technological wonder of sensed proximity and reaction.  Yiquin Yin’s ruched collection of pastel ruffles immediately caught our eye, and Miss Effie Trinket’s as well.  Peter Popps’ fierce pair of metal lace-up Cube foot accessories had us at Lady Gaga- and kept us with the rest of his stellar collection. 

Lucy McRae’s architectural work in a wide myriad of mediums gave our design palette a variety of delicacies to feast our eyes on, while Mao Geping’s ornate creations transported us to a fantasy world of the maquillage.  Argyle Witt’s body-transforming nanobots introduced a new frontier to technological fashion.  The jointed leather work of Una Burke gave us fashionable body armor in the most sleek package, while Maiko Takeda’s plastic porcupine headdresses gave the illusion of an aura of defense.  Becca McCharen’s Chromat line brought fashion freedom in the form of cage-like constructs.  And lastly, Stella Jean’s cultural amalgamations shone through with colorful prints and indomitable spirit.  

We thank all the designers spotlighted this year for their tireless efforts toward fashion in our city and look forward to a whole new set of burgeoning talent in the new year.  Watch this year’s fashion come alive; get your seats today! 


This Dress is in Demand

This laser-cut, patent-leather dress for Capitol Couture by Trish Summerville, resembles a piece worn by Katniss Everdeen, and is fully lined in rose-gold stretch-silk for coverage. 


Capitol Look: Mao Geping

Mao Geping has been called “the best known makeup artist in China” and “one of the world’s premiere makeup artists”—and at this year’s China Fashion Week we saw astounding examples of his work that support these claims.  Geping’s influences for the show ranged from Victorian steampunk to despotic military to softer, floral inspirations.  

"The main carrier and perspective of the conference is women in the war," Geping has noted of his themes. While Panem may be celebrating seventy-five years of blissful peace, this meticulous and ridiculous display of metals and petals has us ready to charge into battle.  

Although the purpose of the runway show was to showcase Geping’s brand MGPIN, his artistry for blending fantastical apparel into meticulously crafted 3D makeup creations left us speechless.  Gears came together to form an architectural brow, complementing a steampunk outfit with metal engineer’s hat.  Embedded zippers created boundaries around seamlessly blended color, exaggerating the eyes’ shape into a structured warrior’s paint. He also designs brows out of items as disparate as delicate floral appliques and coins.

Throughout the show, impeccable styling combined with the dramatic artistry of Geping’s craft left the audience wondering where the model ended and the makeup began. The models, however, seemed to own the message Geping was sending: “They are naturally gentle and beautiful, but present a cold appearance under the uniform bound. Their inner heart is calling for peace, eager to go back themselves, and enjoy the exquisite and quality life.” His eloquent summation of these models echoes the sentiments shared, only days ago, by our brave tributes.


Fashion Inspired by Panem

Net-a-Porter’s Capitol Couture line by Trish Summerville arrives.

By Monica Corcoran Harel

Films and cinema icons have always inspired designers. Marc Jacobs has namechecked the films of Wes Anderson, especially The Royal Tenenbaums.  The sisters of Rodarte look to Japanese films to nuance their creations. Now, Trish Summerville debuts her own collection, inspired by the chic spirit and grit of the Capitol and beyond.   

With 24 sleek looks—including a smattering of accessories and casual tees—the award-winning designer’s Capitol Couture line for Net-a-Porter features day dresses, outerwear and a sexy, fitted black twill jumpsuit that redefines the modern staple as a “Kat suit.” (This editor has already ordered one for disco dancing, rooftop picnics and morning strolls though the city center. It’s that versatile!)

Other fashion stand outs include a gray wool coat with dovetailed hem and a detachable faux fur collar that amps up a professional look; the paneled leather skinny jeans boast a slight flare at the heel that makes them exceedingly flattering.  Trust me when I tell you that a kick of fabric completely alters the silhouette. The silver accessories—from a bow and arrow bracelet to an ear cuff—work perfectly with the cool palette of the exclusive collection.

Summerville’s favorite look is the “chariot dress”—a laser-cut patent leather cocktail dress with a rose-gold silk panel insert.  The cinched waist, harness collar and full, mini skirt make it feel architectural. It’s a frock for a witty woman who never resorts to clichés and knows to Uber when the conversation goes bland. Our staff of editors is crazy for this dress too. “I think it will be a fan favorite,” says Summerville.


Capitol Contributor: Cerre

Looks from the couturier to Peeta and Haymitch.

When Peeta Mallark’s stylist needed a cool, asymmetrical leather jacket for a stop on the Victory Tour, she turned to Cerre. This L.A.-based label—helmed by husband-and-wife-team Clayton and Flavie Webster—has a reputation for elevating simple staples such as sheaths and skirts into custom-like, tailored pieces. And while the duo created bespoke aubergine shawl collar coats for the Gamemakers and silk Avox uniforms, their women’s ready-to-wear collections merit more than a once over.

“I focus on the body and silhouette and Clayton approaches things more conceptually and focuses on the details and overall vision,” says Flavie, who recently gleaned inspiration from the beaches of her native South of France. (The former runway models who met while working in Paris.) “Clayton seems to get inspired a lot from the science fiction books he reads and strange music he listens to.”

The result is fluid silhouettes in a stark palette of leather and silk. An oversized lapis leather moto jacket, silk tops with detachable Joan of Arc snoods and a caramel blazer with exaggerated batwing sleeves are all highlights of their fall line.  Clearly, their leather pieces transcend seasons and age like a fine Bordeaux. “Working with leather is amazing,” says Flavie Webster. “Every hide has its own unique characteristics that change over time and by taking care to use it in the highest quality construction possible, it can give you a lifetime of use.”

When it comes to loyalty, one might expect the Websters to favor District 10 for the hides that come from its livestock industry. Not so.  “As far as our favorite Districts go, I guess we would have to say District 1 as they produce all of the luxury items,” says Flavie, who then adds: “But really I think we both favor District 13. “  Perhaps she means the memory of a bygone District?


Capitol Contributor: Gaspar Gloves

Check out Effie’s favorite accessories.

Gaspar Gloves are not for the faint of style. Just ask sartorial sylph Effie Trinket, who rarely makes an appearance without a pair on hand—literally.  Designed by L.A.-based Dorothy Gaspar, these look-at-me accessories nod to old Hollywood glamour but always with a modern wink of detail like flocking, buckles or gold studs.  “In my Spring 2014 collection, a notable part of the line is composed of sheer and leather gauntlet gloves,” says Gaspar, who is a third generation accessories artisan originally from Hungary. “It was extremely exciting to put these gloves together because many of the designs took on inspirations from the Hunger Games universe.”

Trinket, a Gaspar devotee along with Madonna, Katy Perry and Beyonce, opts for elaborate, couture cuffs on her gloves. (Designer Trish Summerville collaborated with the glove maker on the details.) The strong silhouettes pair perfectly with her couture frocks nipped at the waist and dramatic Elizabethan ruffs.  “My goal was to inspire iconic visual details that would really bring out Effie’s outrageous and outspoken character, as well as create designs within the vein of her costumes,” Gaspar tells Capitol Couture.

Ready to take a bold cue from Trinket? A few directions to ponder: Marc Jacobs showed lace-paneled, leather gloves with ladylike blouses and hot pants for fall, while Wes Gordon accessorized mod looks with classic black satin opera gloves.  Gaspar’s own ready-to-wear collection includes fingerless leather and crocheted driving gloves, opera-length gloves in suede or satin and feather-light sheer creations flocked with gold.  The designer even credits our own stylish city as inspiration. Says Gaspar:  “The citizens of the Capitol have such colorful and vibrant wardrobes.”  

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